Lake Como:: With 5:02pm southbound departure from Lugano, opted for first class tickets to escape the standing-room-only ride we encountered in the second class northbound trip 6 days earlier. First class is only one half of the railcar, so we could see standees packed in through the door behind us. Arrival in Milan delayed before Como, we were messaging apartment agent for assisted check-in. (Lake Como, Italy) 20241004
Fondazione Prada Milano: Panoramic view north from eighth floor of the Torre building, with a series of glass cases including Damian Hirst (1997) Tears for Everybody Looking at You. An umbrella protects the decoy ducks from a continual rainshower, yet waterfowl need pools of water to float and swim. The other glass cases behind with collections of dead flies are less humourous. (Fondazione Prada, Largo Isarco, Milan, Italy) 20241005
Fondazione Prada Milano: On ninth floor of Torre building, visitors first trace a blind handrail through Carsten Holler (2000) Gantenbein Corridor (i.e. goose leg maze) completely dark passageway, to emerge out into brightness of (2000) Upside Down Mushroom Room. Lights from floor and spinning for ceiling produce a hallucination enjoyed by children. Adults attempt to capture the experience on their smartphones. (Fondazione Prada, Largo Isarco, Milan, Italy) 20241005
Pirelli HangarBicocca:: A video projector at each end of 24 silk panels #SaodatIsmailova (2024) As We Fade, part of the exhibition A Seed Under Our Tongue. One of twelve installations in the dark Shed, the Uzbehki video artist transmits landscapes and moving artifacts that dissolve into shades of colour less than halfway through the fabric series. Pictures in motion are reduced in translucence as light is dematerialized. (Pirelli HangarBicocca, Via Chiese, Milan, Italy) 20241006
Pirelli HangarBicocca: The first of five large painting added Anselm Kiefer (2009) Jaipur is at the north end of the Navette exhibition space. Of the Seven Heavenly Palaces first exhibited in 2004, the closest is (2004) Sefiroth, associated with ten different channels through which the one God reveals His will, in the later Jewish literature. The original temporary installation has become permanent, probably because moving and storing the work would destroy it. (Pirelli HangarBicocca, Via Chiese, Milan, Italy) 20241006
Sforzesco Castle: Originally built as Castello di Porta Giova for Visconti dukes circa 1370, the structure was enlarged in 1450 by Francesco Sforza, Duke of Milan. Repurposed many time over centuries, the city reconstructured the fortress as museums after WWII. Espoused as open until 7:30pm, we arrived after 5:00pm when ticket offices were closed. Sforzesco Castle, Piazza Castello, Milan, Italy) 20241006
Swiss Alps: Air Baltic 1617 flight from Milan to Zürich, flight time less than an hour over the Alps. Departure was cloudy, snow was evident in the southern facing mountain slopes. As we travelled north, the snow cover on peaks appeared less and less, exposing either rocks or trees. (LX1617, Alps, Switzerland) 20241007
15 Merchants Wharf: Ecological flipbook in #NuitBlanche Extended with #IsaacKing (2024) Humans Build the Biggest Nests. Narrative thinking about entangled ecologies influenced by theorists and indigenous thinkers. Visitors were encouraged to run hands through the cards to trace the interactions between species. (15 Merchants Wharf, East Bayfront, Toronto, Ontario) 20241009
125 Queens Quay East:: Unfixed dyed sand in #NuitBlanche Extended with #ShannonGardenSmith (2024) Snail-work (For The Lake) showed carefully grains at outset. Visitors were invited to gently disrupt the patterns by walking through. This reminds individuals about the accumulated environmental, historical and economic impacts of the world’s most popular construction material. (125 Queens Quay East, East Bayfront, Toronto, Ontairo) 20241009
Toronto Biennial of Art: Hanging strips of fabric mimic bamboo forest in multimedia installation #KarenTam (2024) #ScentOfThunderbolts of stage with Cantonese opera for #TorontoBiennialOfArt. Visitors are invited to walk around backstage, and view vintage photos of last century shows. A diasporic visual and sonic memory more for my father’s generation than me. (Toronto Biennial of Art, Lisgar Street, Toronto, Ontario) 20241019
Leslie Lookout Park: Exceptionally warm day draws out bicyclists and sunbathers, towards beach facing west into ship channel running to the inner harbour. Lookout tower can be approached by stairs or slow ramp, with bike repair station its base. Architected shape of lookout respects the cylindrical tower of the St. Mary’s Cement factory to the north. (Leslie Lookout Park, Leslie Street, Toronto, Ontario) 20241020
Aga Khan Museum: Immersive looped video in dark corner, Tannis Nielsen (2020) mazinibii’igan/ a creation as a reimagining of residual radiation from the Big Bang. Dressing in monochrome challenges discerning figures moving in the space. Short line up for visitors to become part of the art installation. (Aga Khan Museum, Wynford Drive, Don Mills, Ontario) 20241023
Gerrard-Ashdale: Diwala Mela lights up the darkness with sparklers and dancing. Throbbing music attracts the crowd, and a dancer on stilts encourages joining in. Major street not closed off, neighborhood event in Little India. (Gerrard Street East at Ashdale Avenue, Toronto, Ontario) 20241026
Art Gallery of Ontario: Across four walls, Jinny Yu (2023) Cuboids + Colour, watercolors extended with gouache. Visual connection in series of three-dimensional shapes with six rectangular faces. Korean-born artists trained in Canada, now a professor in Ottawa. (Art Gallery of Ontario, Dundas Street West, Toronto, Ontario) 20241030